I’m interested in architecture, but it’s no good thing being an architect if you are interested in architecture. It’s like being a butcher if you are interested in animals.
—Ed Steed (b. 1987) via It’s Nice That
The Americans are very impressionable people; they see what they want to see. I have a lot of respect for them. I am not upset at all that I ended up on this list. If they want to see the devil, let them see him.
—Yevgeny Prigozhin, a.k.a., Putin’s chef (b. 1961) via The New York Times
If you want to build a ship, don’t drum up the men to gather wood, divide the work, and give orders. Instead, teach them to yearn for the vast and endless sea.
—Antoine de Saint-Exupéry (1900–1944) via GoodReads
You really can’t think of a self-driving vehicle as merely a car–fundamentally, it’s a robot on four wheels that looks and feels like a car.
—Jan Becker, Senior Director of Automated Driving for Faraday & Future
A man‘s ignorance sometimes is not only useful, but beautiful, while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with, he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or he who really knows something about it, but thinks that he knows all?
—Henry David Thoreau (1817–1862) via Dictionary.com
The difference between the almost right word and the right word is really a large matter—’tis the difference between the lightning-bug and the lightning.
—Samuel Langhorne Clemens, a.k.a. Mark Twain (1835–1910) via a letter to George Bainton, 10/15/1888
In his highest flights, musical and architectural above all, for they are one, man gives the illusion of rivaling the order, the majesty and the splendor of the heavens.
—Henry Miller (1891–1980), via The Colossus of Maroussi
Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
Give the reader at least one character he or she can root for.
Every character should want something, even if it is only a glass of water.
Every sentence must do one of two things—reveal character or advance the action.
Start as close to the end as possible.
Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.
Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.