I’m interested in architecture, but it’s no good thing being an architect if you are interested in architecture. It’s like being a butcher if you are interested in animals.
—Ed Steed (b. 1987) via It’s Nice That
The Americans are very impressionable people; they see what they want to see. I have a lot of respect for them. I am not upset at all that I ended up on this list. If they want to see the devil, let them see him.
—Yevgeny Prigozhin, a.k.a., Putin’s chef (b. 1961) via The New York Times
Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
Give the reader at least one character he or she can root for.
Every character should want something, even if it is only a glass of water.
Every sentence must do one of two things—reveal character or advance the action.
Start as close to the end as possible.
Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of.
Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.